Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio The Beheanding of tst john the baptist oil painting


The Beheanding of tst john the baptist
mk96 1608 316x520cm
Painting ID::  34698 		Caravaggio
The Beheanding of tst john the baptist
mk96 1608 316x520cm
   
   
     
Caravaggio Head of the Medusa oil painting


Head of the Medusa
mk98 c.1596-1598 Oil on a shield covered with leater 60x55cm
Painting ID::  34918 		Caravaggio
Head of the Medusa
mk98 c.1596-1598 Oil on a shield covered with leater 60x55cm
   
   
     
Caravaggio The Madonna of the rosary oil painting


The Madonna of the rosary
mk150 Canvas 36.4x249cm
Painting ID::  39616 		Caravaggio
The Madonna of the rosary
mk150 Canvas 36.4x249cm
   
   
     
Caravaggio David with the head of Goliath oil painting


David with the head of Goliath
mk150 c.1606 Panel 90.5x116cm
Painting ID::  39617 		Caravaggio
David with the head of Goliath
mk150 c.1606 Panel 90.5x116cm
   
   
     
Caravaggio Bacchus oil painting


Bacchus
mk156 c.1596 Oil on canvas 95x85cm
Painting ID::  40401 		Caravaggio
Bacchus
mk156 c.1596 Oil on canvas 95x85cm
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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